Critical Learning | Guiding Questions | |
To be a successful dancer, it is important to recognize that a dancer must not only have strong technique, but must have strong performance skills. A dancer must apply artistic choices and interpret a piece accordingly, stylistically and technically; this is the great challenge. | What is meant by artistic choice with respect to performance technique? How is it different from technique? | |
Curriculum Expectations | Learning Goals | |
Creating, Presenting, and PerformingA1. The Creative Process: Use the creative process, the elements of dance (body,space,time,energy and relationship) and a variety of sources to develop movement vocabulary; A1.2 create and perform increasingly complex phrases that combine and manipulate the elements of dance in a variety of ways A2. Choreography and Composition: Combine the elements of dance in a variety of ways in composing individual and ensemble dance creations; A2.3 use a variety of compositional approaches to express a broad range of ideas and moods through dance A4. Performance: Apply dance presentation skills in a variety of contexts and performances A4.1 revise, refine and polish movement execution and choreography with increased attention to detail A4.3 demonstrate an understanding of the artistic and expressive intent of a work in the context of rehearsals and performances Reflecting, Responding, and AnalysingB1. Critical Analysis Process: Use the critical analysis to reflect on and evaluate their own and others’ dance works and activities; B1.2 develop and use aesthetic criteria to evaluate both the content and the fluency or expressiveness of student compostitions | Learning GoalsAt the end of this lesson, students will be able to:
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Instructional Components | ||
ReadinessStudents have reviewed the elements of dance (from Unit #1) Students have just learned about the aspects of performance technique (from Unit #1) At this point, students should be comfortable working both independently and in small groups. Presenting work to the class at the end of a lesson and employing proper audience behaviour should be an established norm TerminologyArtistic choice (see Glossary for this term) | MaterialsCD players BLMs |
Approximately 30 minutes Minds On | Pause and Ponder |
Whole Class > CircleInvite students to sit in a circle, and ask them to think of the various pieces of repertoire or choreography that they have learned previously in this unit that they would like to possibly revisit.Partners > Think/Pair/ShareInstruct students to choose a partner and share with their partner which piece they might want to revisit and apply artistic choices to and why. Prompt students to think about the different artistic choices such as:
Whole Class > SharingInvite students to volunteer which piece they would like to revisit and which particular aspect of artistic choice they would like to focus on. | Assessment for Learning (AfL)Observe whether there are gaps in the students' understanding of what qualities are needed to have strong performance technique The whole group discussion can be used to identify the students' understanding of performance technique and their readiness to critically analyze their own performance for the purpose of improvement Note students' participation in the oral expression of ideas Observe students' ability to focus on a topic or task in a group situation and monitor listening behaviours. (Do students take turns speaking? Do they ask for or need clarifications?) Show of thumbs up/thumbs down for understanding Quick TipMonitor the groups to see if they are staying on task. Is the group maintaining focus? Do they need more time? Assign leadership roles when practising the dance piece Link and LayerExplore how artistic choice relates to the "artistic license" taken in some of the other art forms, such as, music and visual art. |
Approximately 30 minutes Action! | |
Small Group > Applying Artistic ChoicesPut students into groups of 4 or 5 and instruct students to collectively choose one piece of repertoire or choreography that they have already learned. Remind the students that experimenting with different artistic choices will strengthen the work and add potential depth to it. Instruct the small group to review the piece as it was originally taught. Provide 5-10 minutes for this. It is important that students know the original piece well in order to manipulate and apply artistic choices. Once students know the piece well, instruct them to apply the artistic choices below, one at a time:
Have students take turns in the role of "rehearsal director" and assign them the task of polishing the repertoire by working on ONE aspect of artistic choice. Whole Class > Sharing PiecesInvite students to share the piece that they have been working with. After each group performs, ask the students to comment on what they saw. Key Questions for Discussion:Which artistic choice do you think the group focused on? ExtensionThe lessons that follow this one could develop the students' artistic choice in all of the repertoire that was learned in Unit #2. | |
Approximately 10 minutes Consolidation | |
Whole Class > ReflectionIn a whole class discussion, ask students to consider how the application of artistic choice will contribute to the strength of the performance and of the overall performance skills of a dancer. Individual Homework > Journal Reflection QuestionAsk students to respond to the following question in their dance journals:"With respect to the one dance piece that your group focused on, what are your next steps in improving your performance technique or performance quality?" |